On show there were a series of works in which we saw the usual overlapping of materials experimented by the artist - fabrics, gauze, wallpaper, but also ash and powders - are included in panels of industrial materials, such as cement and porcelain plaster. Finally, as always, the photographic image, printed in the absence of white, closes a composition destined to break free from any conventional perceptual scheme: as Vanni recalls, "in front of its woods, despite the impeccable compositional harmony, the importance technique takes second place and amazement prevails over the attempt to understand the secrets of the whole ".